EYE WORLD Drawers accumulate objects. We use them in our homes and offices to store, file, or hide our messy lives. Rummaging through them can yield unexpected discoveries — objects that are markers of ourselves at different times or under different circumstances. While most drawers hold personal memories, the cabinet in this room had a more public purpose. Inherited from the Museum of the American Indian, it was designed to preserve and display archeological specimens. The individually labeled drawers held arrowheads and other artifacts that had been removed from their original sites and organized scientifically by tribe and object type. Scholars used them to compile data and form theories. For scientists and the public alike, the contents of these drawers were used to make sense of the world. When invited to curate an exhibition for Triple Candie using this museum case, with its 72 drawers, we set out to explore how creative people from various professions — artists, curators, writers, architects, and others — might represent something as vast and unknowable as the world, with all its systems and structures, in the confines of a single drawer. How have travel, our personal interests, and the media informed how we see and think of the world? What objects, images, symbols, maps, photos or shapes would one choose to represent it? The contents of each drawer range from the grand to the personal, from the factual to the metaphoric, from visual puns to diagrams, paintings and sculptures. The top of the cabinet contains objects that relate to each of the drawers — Ambassadors, if you will. The Ambassadors are arranged according to similar object type and/or characteristics to create a dialog of like specimens in keeping with the spirit of the historical museum case. Artists: |